
The lens is fully extended. I call that a black body, but you may discern a very dark gray.


Battery/Card Compartment. The hinge is right next to the plastic tripod mount, but it's very easy to access either the card or batteries.
Canon PowerShot A640
Canon PowerShot A640 Overview
by Mike PasiniHands-On Preview: 11/15/06Full Review: 12/21/06
The Canon PowerShot A640 couples a 10 megapixel CCD imager sensor with a 4x optical zoom lens that offers a 35mm-equivalent focal range of 35 to 140mm. That's a moderate wide-angle that reaches to a somewhat more generous telephoto than you'll find on most compact cameras. Maximum apertures vary from f/2.8 to f/4.1 across the zoom range. The A640's sensor yields an ISO range of 80 to 800, with shutter speeds of 1/2,500 to 15 seconds.
Designed with ease of use in mind, the Canon A640 offers both a range of features that make it approachable to beginners, as well as the ability to exert more control over the photographic process. For the former category of users, there's a fully automatic mode, and a generous selection of 13 Scene modes. For the latter, you'll find Manual, and Aperture/Shutter Priority exposures possible, plus preset, or manual White Balance, and three Metering modes. A VGA-or-below Movie mode captures videos at a maximum of 30 frames per second, for up to one hour (or one gigabyte) per clip.
A USB connection allows easy offload of images from the SD, or MMC card to a Mac, or PC -- and unlike some manufacturers who are still clinging to the older USB 1.1/2.0 Full Speed standard, Canon has adopted a much swifter USB 2.0 High Speed interface in the Canon A640. For users without a computer (or those who like to make quick prints without the hassle of touching their PC), you can bypass the extra step completely, and print directly from the PowerShot A640 to a Canon, or other PictBridge-enabled printer via the same USB connection.
Though the Canon A640 has a relatively large 2.5 inch LCD, Canon retained a real image optical viewfinder in the A640's design. Not only can optical viewfinders save battery life if you turn off the LCD display, but they're also useful when ambient light makes it tough to see many LCDs properly. Power comes from four AA batteries, and Canon includes single-use alkaline disposables in the product bundle. Also included with the Canon A640 is a 32MB MultiMediaCard -- perhaps slightly larger than average, but still not sufficient for more than a handful of photos at the highest resolution and lowest compression. If you don't already have some, you'll want to purchase some rechargeable batteries and a larger flash card along with the camera.
Canon PowerShot A640 User Report
The Canon lineup is so rich with options it's often hard to tell one model from another. If you want a camera powered by AA batteries, Canon's A-Series is the one for you. The A-Series digicams all use batteries you can find anywhere, and give you a decent grip, too. Yes, they're a bit bigger than the Digital ELPHs, but their heft makes them more stable for handheld shots, and they have more exposure options.
But even within the A-Series, you have options. The Canon A640 might, for example, be easily confused with the A630, except it has a 10 megapixel sensor, a black body, support for remote capture, and costs $100 more. But it shares the same lens, controls and body design, including a variable LCD you can swivel for a more comfortable view of your subject.
Design. A large 2.5-inch LCD is always welcome, but the Canon A640's is what Canon calls a Variable LCD (an articulated one, that is, that swings out and rotates up or down so you can compose a shot with the camera over your head or below your belt). Canon has also included an optical viewfinder, which despite its approximate rendering of the scene is indispensable when the glare of the sun makes it impossible to see what's on the Canon A640's LCD. Although here again, having an LCD you can move independently of the lens means you can often eliminate that glare.
As with other A-Series Canons, the A640 has a grip you can get your hands on thanks to the four AA batteries it uses for power. Although it's substantial, the grip isn't too fat to keep the A640 out of your pocket, although I tended to prefer to simply swing it from my wrist so it was ready for action.
The Canon A640 doesn't cheat on exposure options either. There's green Auto for those times when you have other things on your mind. And Program when you want to have at least EV control over exposure. But there are also Shutter and Aperture Priority modes. And -- drum roll -- a full Manual mode as well. Add a Custom mode to save a special configuration and there's really little you can't do with this digicam.
On the other end of the Canon A640's Mode dial, you have Movie, Panorama and Special Scene modes. There're also the primary Scene modes Portrait, Landscape, and Night Scene.
The controls and menu system have, by now, evolved into a package that's really comfortable to use once you learn how to play the game. In Auto, you don't worry about the buttons at all. In Program, just hit the EV button and change the exposure with the Left or Right arrow keys. Shutter and Aperture Priority modes use those arrow keys to adjust their values, too. The Canon A640's Manual mode uses the EV button to toggle between aperture and shutter speed, both adjusted with those same arrow keys.
In short, the Canon A640 is a well-designed machine.
Display/Viewfinder. The Canon A640's 2.5-inch LCD is large by any standard, but it only displays 115,000 pixels. The big news, however, is that you can swing the LCD out from the back of the camera and twist it up or down, or even face it forward for self-portraits. You can even flip it back so it pops right back into the rear panel as if it were an ordinary LCD. And if you tend to scratch things, you'll be happy to know you can close this LCD with its back facing outward to protect it.
Once you've used an articulated LCD, you'll never want to be without one
Often you just want to shoot from a lower or higher angle than eye level. After all, everyone knows what things look like from eye level. But drop the Canon A640 down to floor level, angling the LCD up so you don't have to lie flat on the floor, and you'll get some marvelous shots of children at play in the low-rise world they inhabit. And when you're straining your neck to look over the crowd in front of you, just raise your arm with the LCD angled down to get an unobstructed shot from above.
One of my favorite photo tricks is to shoot at angles other than eye level. An articulated LCD makes this easy to remember and fun to do.
Luke, who shot the lab test shots with the Canon A640, didn't like the optical viewfinder. But kudos to Canon for including one. The sun can be just too bright to see the LCD when you've got the camera pointed in the right direction. Even an inaccurate optical viewfinder will give you some idea where your subject is floating in the frame.
Performance. I'm sensitive to slow startups and reluctant shutdowns. They actually change my behavior. If they're really slow, I leave the camera behind. If they're annoyingly slow, I leave the power on and hope the thing wakes up from sleep fast. But I prefer to manage my battery life by shutting down when I won't be taking a shot for a while and turning the camera on just before I want to shoot.
The Canon A640 is, I'm happy to say, responsive enough that I can do that. I never seemed to miss a shot waiting for it to start up and I certainly never hesitated to shut it down for fear starting it up again would take too long.
Shutter lag is increasingly a thing of the past, and the Canon A640 is responsive here, too. I didn't happen to shoot any action shots with it, but from the time I decided to press the Shutter button and the actual trip of the shutter were not far from simultaneous.
And, as Luke observed, the cycle times are really pretty good. The Canon A640 clears the buffer after every shot in every mode.
Shooting. I took the Canon A640 on a bike ride up Twin Peaks with the A630 to shoot my usual cityscapes. It was an usually clear Fall day, so the A640 took some fabulous shots, among the best I've gotten there. If you want to know the difference in resolution between the 10 megapixel A640 and 8 megapixel A630, just study these shots.
One of the things I like to try up there is digital zoom. Canon's digital zoom isn't bad at all, a far cry from the old resamplings that led Dave to warn against ever using the thing. It may not be quite as satisfying as a few other companies manage (you can tell a digital zoom shot from a telephoto one), but don't feel like you have to avoid it.
Maybe it was the clarity of the air, but my shots of very distant objects came out much better than I'm used to. The Bay Bridge and the Golden Gate Bridge are usually disappointing. They're flat here (nothing Auto Levels can't fix in a mouse click) but they fill the frame with detail.
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