Monday, April 25, 2011

Canon SD400 Ixus 300HS Digital camera Review

The SD400-Ixus 300HS from Canon is equipped with very unique features that have made a debut in the camera industry. Canon has also developed an ELPH or Electronic Physics for the first time for this model, which can be a very good reason to make a shift.
There will be no problem if you’ll be taking pictures in with low lit areas for it has a back-illuminated complementary metal–oxide–semiconductor or CMOS sensor. There’s also the burst photo mode and the extremely slow motion movie mode that adds up to the excitement.



The Canon HS System

The Canon SD400-Ixus 300HS is a 10 megapixel camera with a CMOS sensor. Along with it is an image processor called the DIGIC 4. These both comprise the HS System of Canon. The HS System is the solution that Canon has for lowlight situations. The images turn out to be very satisfying and the adverse effects are avoided, such as blurry problems. Whether you utilize ISO speeds that are high or low in a lowlight scenario, the pictures will still look great.

Just like what I’ve said this HS System by Canon is the collaboration of 2 great features, namely 10 megapixel CMOS sensor and the DIGIC 4. The CMOS sensor sort of traps light in order to get the best possible image quality. This means that the images will be clearer if the sensor will be able to attract a bigger amount of light. The DIGIC 4, on the other hand, has the purpose of minimizing the noise on the images.


The Electronic Physics or the ELPH

The Canon SD400-Ixus 300 HS that is equipped with ELPH is the first to offer manual controls. It can be compared to PowerShot SD90 and can be a very close competitor. In addition, the design and concept of the SD400 was based on the backlit CMOS sensor of Sony, which has been very evident in almost all cameras that were launched this season of spring. The SD400 is known as the Ixus 300HS in Europe because its speed is amazingly fast when it comes to video recording as well as in capturing images.


The Aperture Priority Mode and the Shutter Priority Mode

The factors that most photographers and hobbyists are looking for are the controllable speed of the aperture and the shutter modes. When you place the SD400 camera to aperture mode, it will already choose the shutter speed that will best work in every scenario. And as for the shutter priority mode, when you pick out a shutter speed, the camera is left with the task of choosing the right aperture.

   

Saturday, April 23, 2011

Samsung ST93 Digital Camera review, specs and features

Samsung Electronics just has introduced their upcoming Digital Camera, namely Samsung ST93. The new Samsung Camera comes with ultra design which measures in 89.6 x 54.8 x 17.5mm, stylish ST range and high performance features such as Samsung‘s Magic Frame to create poster-quality visuals from a set of templates, including Wall Art, Full Moon, Retro Film, Ripple, Retro Record and Classic TV for people who looking for best digital camera
experience at an affordable price. The ST93 Digital Camera will be release to market in June 2011 with expected price at £129.99.

Samsung ST93 camera is boast 16-megapixel CCD sensor with support 5x optical zoom and 26mm wide angle lens, up to 3200 ISO sensitivity support, an LCD display, 5 Way UI Key, support 720p HD Movie recording at an impressive 30 frames per second, panorama shot function and Samsung Record Pause function for halt recording and start up again through the simple push of a button and Samsung Sound Alive feature provide clear sound recording by eliminating zoom noise.

Other features of the Samsung ST93 Digital Camera includes Dual Image Stabilisation, which combines both digital Image Stabilisation technology and optical image stabilisation technology by raising ISO sensitivity and/or performing deblurring to provides clearer images in any environment and prevents distorted photos.
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Canon EOS Rebel T3i DSLR Camera Review

Canon EOS Rebel T3i features a vari-angle LCD screen 3-inch rated about 1 million pixels, the remote on the handle is very comfortable with either a textured surface, mic 4-hole needle, remove the lens and the depth-of-field preview. The most recent is "A +" - Scene Intelligent Auto - which is a souped-up smart auto.
analyze the subject in front of it and adjust the Picture Style Auto Plus Auto Lighting Optimizer, auto white balance, autofocus and auto exposure. In the back of a big screen and optical viewfinder with 95-percent coverage and 0.85x magnification. It is surrounded by a rubber eyecup and diopter control allows you to set closest to your vision. You will also find regular blizzard including the Menu, Info, Live View, Exposure Compensation, Q, Play and Delete. Four-way controller gives you quick access to the AF, Picture Styles, burst / self-timer and white balance.

On the right side of the camera is a compartment for receiving SDXC SD card, while the left has two doors rather thin. One gives access to A / V and mini-HDMI out, while the latter has inputs for mic and remote. The bottom Made In Japan DSLR has a metal tripod mount and battery compartment. The camera measures 5.2 x 3.9 x 3.1 (W x H x D, in inches) and weighs 18.2 ounces. Battery rated 550 shots without flash, 440 using the flash 50 percent of the time, per CIPA. You also get two CD-ROMs. One is the EOS Digital Solution Disk with Mac and Windows software for editing photos and develop RAW files. The other is a software manual. We charge the battery, loaded a SanDisk 16GB SDHC Extreme Pro.

Canon EOS Rebel T3i have APS-C 18-megapixel CMOS sensor, 18 megapixels is more than enough for most shutterbugs, adjusted the camera to the highest setting (5164 x 3456 pixels), shooting in RAW + JPEG. About 3.7 frames per second with grid lines enabled. We installed the provided 18-135mm zoom, which has ranked 35mm equivalent 28.8-216mm wide angle so enough with a little telephoto reach.

   

Wednesday, April 20, 2011

Nikon P300 Review

It feels as if Camera Nikon has something to prove with a higher-end but highly compact camera. Something that packs plenty of punch and people who are accustomed to a dSLR can slip it into their pocket and feel as if they’ve a camera that does what they want.
Does the P300 meet these needs? It’s got a great sensor and full HD video, but it doesn’t have RAW capability. Is it worth your hard-enarned pennies, then? See what the reviews have to say.

CNET Australia says ‘Photographers who are downsizing from an SLR on its day off will have a big gripe with the P300, which is the lack of RAW capture. Every other camera in this class has it, so we’re rather puzzled as to why Nikon left it out. We can only hope that the next iteration (or indeed a firmware update) provides this very important feature – and perhaps a bigger sensor like that found in the P7000 as well.’ – Read the full review at CNET Australia

Digital Camera Info says ‘The P300 is an intriguing camera for advanced amateurs looking for something small and sleek. The f/1.8 lens is bound to lure in photographers that crave low light performance without the bulk of an SLR. Manual controls aren’t what you might find on Nikon’s higher-end P7000, but the basic shutter and aperture controls are there. You can also access most of Nikon’s specialty features, without giving up manual control flexibility.’ - Read the full review at DigitalCameraInfo

DPReview says ‘The “big” new feature introduced in the Coolpix P300 is 1080p, ‘Full HD’ video. Full HD is still relatively rare in compact cameras, and it is something that none of the P300′s “high-end” peers currently offer. In most other respects, the P300′s specification sheet is comparable to our expectations of the latest compact cameras.’ – Read the full review at DPReview

ePHOTOzine says ‘The ergonomics, handling and design of the camera are very good, with a well thought out layout and design, although the lens protruding from the camera does make it slightly chunky. The camera has a solid feeling metal body with a good sized thumb grip, and raised rubber grip at the front of the rectangular camera.’ – Read the full review at ePHOTOzine

Neo Camera says ‘The Nikon Coopix P300 is a small compact digital camera with an all-new design from Nikon. The camera is built around a 12 megapixels high-speed CMOS sensor and a very bright F/1.8 ultra-wide angle lens, equivalent to 24-100mm. This model is aimed at advanced users seeking efficient manual controls and is among the smallest digital cameras to feature dual control-dials.’ – Read the full review at Neo Camera

PhotographyBLOG says ‘The front of the Nikon Coolpix P300 features the aforementioned 4.2x zoom lens. Nikon have included their VR (Vibration Reduction) image stabilisation system to help prevent camera-shake, an increasingly de-facto feature on a lot of high-end compact cameras. Annoyingly there isn’t a dedicated button to turn it on and off (it’s somewhat buried in the Setup menu).’ – Read the full review at PhotographyBLOG

TechRadar says ‘Digging further into the feature bowels of the Nikon P300 we discover that there are several advanced multi-exposure composite image functions for taking handheld portraits at night, an Easy Panorama mode that delivers 180- and 360-degree results, optimised Night Portrait and Landscape modes, Backlighting (HDR), plus a modest palette of Filter effects’

Thursday, April 14, 2011

Reviews Samsung ST80

The $249.99 (list) 14.2-megapixel Samsung ST80 creates a convincing box for Wi-Fi in a digital camera . Thanks to its built-in Wi-Fi, you can simply e-mail photos or upload them to your Facebook print albums
when you’re nearby a Wi-Fi hotspot. But the ST80 doesn’t offer visual picture stabilization—an ever-present underline in cameras in this cost range. This can meant becloud photos when sharpened high-speed or low-light images. But if you’re sharpened in great lighting, images from the ST80 are surprisingly sharp.

Design and Interface
One of the not as big condensed cameras you can buy, the ST80 is similar to the minuscule Canon PowerShot HS 300 ($249.99, 4 stars). Measuring 2.2 by 3.6 by 0.7 inches (HWD) and weighing usually 4.3 ounces, this camera fits simply in your pocket, but its all-plastic building creates it feels flimsy. Most of the camera’s functions are tranquil by the hold shade on the back, and you’ll have no complaint reckoning out what any earthy manage does; there are usually three: Power and Playback buttons, and a wizz trigger.

Most condensed digital cameras use a few form automatic picture stabilization—where possibly the lens or the picture sensor shifts to help lower blur. Not the ST80, and without it, you’ll have to use a faster shiver or aloft ISO surroundings to obtain great results when sharpened in low-light settings. The ST80 offers 3x visual wizz around a f/3-f/5.6, 35-105mm (35mm equivalent) lens. It’s not a quite wide-angled, long-reaching, or swift lens for any category of camera.

Despite a good-size 230K-dot 3-inch LCD, framing cinema feels really cramped. The LCD has a 16:9 aspect ratio, but the camera’s sensor has a 4:3 aspect ratio; if you’re sharpened at full resolution, the camera shrinks the on-screen picture to a pillar-boxed 2.5 inches. To compare, the low-cost General Electric E1480W ($169.99, 3 stars) offer a 3-inch LCD with a 4:3 aspect proportion so you can support and examination shots using the whole LCD.

The touch-based user interface on the ST80 feels poignant and intuitive, but is paltry since the average LCD, that is a resistive hold screen, not capacitive one similar to you’ll find on the Bloggie Touch slot camcorder ($199.99, 4 stars). The resistive manifestation doesn’t feel as accurate, and requires a small more pressure—turning the spark on and off, for example, isn’t difficult, but typing in e-mail addresses is frustrating. The Editors’ Choice Samsung TL225 ($349.99, 4 stars) offers the same UI, but it’s presented on a larger, higher-resolution (3.5-inch, 1.04-million-dot) LCD.

Other Features
One of the features that indeed sets this camera detached is its aptitude to e-mail and upload photos wirelessly. The camera has an residence book so you can come in and store contacts. The underline is elementary to use, but you can usually send one print at a time, and you can’t send files in their full resolution; instead they’re sent as 1.9-megapixel files (1600 by 1200 resolution).You can moreover upload images to Picasa, Facebook, PhotoBucket, and Samsung Imaging. The Facebook experience functions well with photos—you can login, emanate an manuscript and upload multi-part images to that album, and you can even crop all of your Facebook albums (not just the ones uploaded from the ST80).

The ST80 can moreover be used as a DLNA media server; when related to a Wi-Fi network, gadgets that can deed as DLNA customers (Sony’s PlayStation 3, and a few HDTVs and Blu-ray players)can perspective cinema and videos from ST80 wirelessly, or even download the files right away to local storage. The arriving Samsung SH100 will liner with an app and a Windows focus that will automatically collect all your new photos when your P.C. and camera are on the same network. If you do not wish to wait for and wish a easier wireless solution, ponder an Eye-Fi card, an SD card with built-in Wi-Fi that can automatically backup your cinema when on your home Wi-Fi network.

Performance

The ST80 isn’t quite fast. The camera can beginning up and fire in an average of 3.1 seconds, once on, it averages 3.8 seconds between shots. The comparably labelled Canon PowerShot HS300 shaves a second or more off any these times—it booted up and took a picture in an average of 2 seconds, with 2.2 seconds between shots.

In the Personal Computer Labs, you use Imatest to collect design data about picture quality. In our tests, the ST80′s photos were really sharp; the camera offering an glorious center-weighted average of 2,053 lines per picture height. That even outperformed the much-pricier Editors’ Choice Canon PowerShot S95 ($399.99, 4 stars), that prisoner a center-weighted average of 1,858 lines per picture height. Like the Canon S95, the ST80 may be pushed all the way up to ISO 1600 to collect more light without producing as well sufficient noise. Imatest deliberate reduction than 1.5 percent sound up to ISO 1600, that is a great result.Video available by the ST80 can attain up to 720p fortitude (1280-by-720 at 30 frames per second.) It sounds good, but there are caveats. You can use the visual zoom, but the audio is cut out whilst zooming to prevent capturing deafening sound from the lens motor. The camera moreover doesn’t refocus whilst recording video, expected because you’ll moreover takeover sound from the lens. While the ST80 can record high-definition videos, they can’t be wirelessly uploaded in HD or even 640-by-480 typical definition. The ST80 uploads usually 320-by-240 QVGA-quality videos and usually to YouTube, not Facebook.

The ST80 has a singular port. Using the enclosed exclusive line you can block the camera in to the enclosed wall horse or a USB dock on a P.C. to give your images. Many other condensed cameras offer noteworthy mini-USB and mini-HDMI ports. Also different many cameras, the ST80 writes to microSD cards, not standard-size SD, so your SDHC card reader won’t help you prevent joining the camera around a line unless you have a microSD adapter.

If you really need a way to send or upload photos to Facebook right from your camera, the Samsung ST80 might be a great fit for you. But the insufficient of picture stabilization is a big disastrous in a $250 camera. If you wish to increase Wi-Fi features to your stream camera, examine an Eye-Fi card. If you wish something a small more arguable with visual picture stabilization is to same price, give the Canon PowerShot HS 300 a try. The ST80 produces pointy images in splendid light and has a few innovative features, but it comes with a few flaws that are difficult to ignore.
   

Wednesday, April 13, 2011

SONY Cyber-shot Digital Camera DSC-W570 review

SONY Cyber-shot DSC-W570 is a 16.1 effective megapixel compact digital camera with 5x optical zoom 25mm wide angle Carl Zeiss lens. W570 has the compact and ultra slim profile, looks very stylish and fascinating. It features 16.1 high effective megapixel 1/2.3 inch Super HAD CCD image sensor enough to ensure a clear printout of A3 or
larger size photo, 5x optical zoom 25mm wide angle Carl Zeiss Vario-Tessar lens with optical image stabilization and Sweep Panorama mode. The W570 also supports iAuto mode and intelligent auto focusing. Now it priced at $179.99 with high cost performance.



Light, compact and beautifully styled, the new Sony Cyber-shot W570 digital camera lets everyone capture detail-packed still images and HD video. Features like Sweep Panorama expand shooting possibilities, while iAUTO takes care of adjusting settings for great results without fuss.

Sweep Panorama mode, first introduced in Sony’s breakthrough CyberShot DSC-HX1, DSC-TX1 and DSC-WX1 CMOS models, utilizes a CCD sensor to capture dramatic panoramic scenes. The Sony CyberShot W570 shoots images continuously to capture wide landscapes or tall buildings in one easy “press and sweep” motion. Images are automatically stitched together to create one stunning panoramic photo.

The built-in help guide of the Sony DSC-W570 is another way to make it easy to get the best shot. Designed to help users learn about the cameras’ features and how to use them on the spot, the “In-Camera Guide” is accessible from the menu button on the Sony W570 digital camera and allows users to easily search by purpose or keyword for functions they seek.

Not sure how to pick the perfect digital camera settings to suit a particular scene? Don’t worry, help is at hand. Intelligent Auto (iAUTO) mode automatically adjusts exposure and other camera settings for optimum results in a wide range of shooting situations.

Upload those memories to your favourite sharing sites on the web with a few mouse clicks. PMB Portable software inside the camera lets you select and transfer photos and video clips to any web-connected Personal Computer; it’s great if you’re travelling and have a few minutes to drop into the nearest internet café.

Dramatic landscapes, architectural photos, interiors and even family scenes can produce disappointing results when a scene gets cut off at the edges. A wide angle zoom lens on your camera lets you pack more into the picture without having to stand further back from the subject.

The famous Sony Sweep Panorama feature takes the hard work out of creating fabulous panoramic shots. Now it’s easy to grab breathtaking wide-screen views of that landscape or city scene. Sweep Panorama mode shoots a high-speed burst of frames as you sweep the camera from side to side (or up and down!). Images are stitched together automatically by the camera to create one big amazing panoramic photo.

With stylish profile, delicate workmanship and good optical performance, the W570 is designed for those who like simple and elegance. Overall, W570 has the balanced performance and affordable price. 5 colors available, gold, silver, black, pink and purple.
 

Wednesday, April 6, 2011

Nikon P300 Hands-On Preview

After years of relative stagnation, Nikon's P-series is back. The Canon PowerShot-inspired Coolpix P7000, released late last year, now has a little brother - the P300. Both in terms of specification and styling, the P7000 was designed to rival Canon's Powershot G-series, but the P300 is pitched a little lower.



Although at first glance it looks a lot like the Canon Powershot S95 and Olympus XZ-1, the P300 is a significantly different camera in a couple of important ways. It offers higher resolution, at 12MP rather than the 10MP common in that class. It also offers Full HD video (1080p as opposed to 720p), but its true colors are betrayed by a lower price-point, a smaller sensor (1/2.3" as opposed to 1/1.6" or 1/1.7"), and the inability to record RAW files. Whether or not you care about the smaller sensor and lack of RAW depends on your priorities as a photographer, but we suspect that a lot of enthusiast photographers will be disappointed that Nikon hasn't taken the opportunity with the P300 to create a true S95/LX5 competitor.

And so, despite obviously being designed to appeal to the same audience as the Panasonic LX5 and Canon S95, the Coolpix P300 is actually a lot closer in specification terms to a camera like the Canon SD 4000 IS/IXUS 300 HS. Like the SD 4000 IS, the P300 offers excellent build quality and manual control in a genuinely compact body, for less cash than the larger sensor, RAW-enabled Powershot S95, or its 'big brother' the Coolpix P7000. The P300's lens is optically stabilized, covers a useful 24-100mm (equivalent) range, and is impressively fast at wideangle, if unspectacular at the long end (f/1.8-4.9). The rear 3in LCD screen is bright and contrasty with 921k dots - the same specifications as the screens in Nikon's mid-range and top-end DSLRs.

The market for high-end compact cameras with a small form factor is booming at the moment, which is evidenced in the rash of new releases in the past few months. We're certain that, purely because of its styling, a lot of consumers will regard it as a cut-price alternative to cameras like the Canon Powershot S95 and Panasonic Lumix LX5. It certainly offers comparable build quality and manual control but its sensor is 35% smaller and that's arguably the most important determinant of image quality, so we'd expect its performance to be more in line with regular compacts. Read our hands-on preview for our impressions of how it works, and how it compares to its peers in terms of usability and specification.

Key features

12 megapixel BSI (back side illuminated) CMOS sensor (1/2.3in)
ISO 100-3200 at full 12MP resolution
1080p High Definition video mode
24-100mm (equivalent) f/1.8-4.9 lens with optical stabilization
PASM modes
Twin control dials - one top, one rear
Built-in stereo microphone

The 'big' new feature introduced in the Coolpix P300 is 1080p, 'Full HD' video. Full HD is still relatively rare in compact cameras, and it is something that none of the P300's 'high-end' peers currently offer. In most other respects, the P300's specification sheet is comparable to our expectations of the latest compact cameras. At the equivalent of 24mm, its lens is wider than either the Canon S95's or Olympus XZ-1's 28mm equivalent, but is slightly shorter than both at the tele end. It is worth noting that although it boasts a very fast maximum aperture of f/1.8, this gets a lot smaller as the lens is zoomed in. In fact, f/1.8 is only available with the lens set to its very widest focal length.
Beside two of its most obvious competitors (in control terms) the similarities between the P300 and Canon S95 are obvious. The two cameras are almost exactly the same size, and offer similar control layouts. The Olympus XZ-1 is slightly larger in all dimensions, mainly as a result of the larger lens required to offer its wider-aperture and larger imaging circle to light its larger sensor.
From behind, the main difference between the P300 and S95 is the direct movie shooting button of the former. As you can see from looking at all three cameras in this view, the rear control layout has become almost 'standard'.

A fast lens usually means greater control over depth of field, but here too, all is not what it seems. Because, all other things being equal, a smaller sensor means less control over depth of field, the P300 doesn't match up to its high-end competitors despite seeming to offer a similar maximum aperture range. Also, for good depth of field control the lens really needs to be fast at the telephoto end, and the P300's isn't. So don't expect to be able to get the same sort of blurred backgrounds with the P300 as you can with the Olympus XZ-1, for example.

 

 

 

 

Coolpix P300 Specifications

Recommended price • $329.95

• €tbc


• £tbc
Sensor • 1/2.3" Type Back Side Illuminated CMOS

• 12.0 million total pixels
Image sizes • 4000 x 3000 (4:3)

• 3968 x 2232 (16:9)

• 3264 x 2448

• 2592 x 1944


• 2048 x 1536

• 1024 x 768

• 640 x 480

• 2048 x 1536

• 1600 x 1200

• 1280 x 960


• 1024 x 768

• 640 x 480

• 1024 x 768
Movie clips • 1920 x 1080p @ 30fps (HD 1080*)


• 1920 x 1080 @ 30fps (HD 1080)

• 1280 X 720 @ 30fps

• 640 X 480 @ 30fps

• 640 X 480 @ 120fps (HS 120fps)

• 1280 x 720 @ 60fps (HS 60fps)

• 1920 X 1080 @ 15fps (HS 15fps
File formats • Still: JPEG (Exif v2.2)

• Movie: MOV [H.264 + Linear PCM (stereo)]
Lens • 24-100mm (35mm equiv)

• f = 4.3 - 17.9 mm

• 4.2x optical zoom

• F1.8-4.9
Image stabilization Yes (Lens-Shift)
Digital zoom up to 2x
Focus • Auto focus :TTL

- Multi-point Auto/Manual selection AF

- 1-point AF

• Subject tracking


• Face tracking priority

• Face detection
AF modes • Single

• Full-time
AF lock Yes (half-press of the shutter button)
AF assist lamp Yes
Focus distance Closest focus distance 3 cm (macro mode)
Metering • Matrix

• Center-weighted average
ISO sensitivity • Auto


• ISO 160

• ISO 200

• ISO 400

• ISO 800

• ISO 1600

• ISO 3200
AE lock Yes (half-press of the shutter button)
Exposure compensation +/- 2EV in 1/3 stop increments
Shutter speed • 4 - 1/2000 sec (wider in auto)
Modes • Auto

• Program AE

• Shutter Priority AE

• Aperture Priority AE

• Manual


• Backlighting

• Night landscape

• SCENE

• Movie
Scene modes • Scene Auto Selector

• Portrait

• Landscape

• Sports

• Night portrait

• Party/indoor


• Beach

• Snow

• Sunset

• Dusk/dawn

• Night landscape

• Close-up


• Food

• Museum

• Fireworks show

• Black and white copy

• Panorama

• Pet Portrait


• Special Effects (Soft, Nostalgia Sepia, High-contrast Monochrome, High Key, Low Key)

• Image Mode (resolution/quality selection)
White balance • Auto

• Preset Manual


• Daylight

• Incandescent

• Fluorescent

• Cloudy

• Flash
Self timer • 2/10 seconds

• Smile Self Timer
Continuous shooting • Maximum approx. 7 shots/sec.
Image parameters N/A
Flash • Auto, Auto with red-eye reduction, Flash off, Night portrait flash
• Flash exposure compensation +/- 2EV in 1/3 stop increments
LCD monitor • 3.0 inch LCD


• 921,000 dots
Connectivity • USB 2.0 Hi-Speed

• HDMI mini connector

• AV out (PAL / NTSC switchable)
Connectivity • USB 2.0 Hi-Speed

• HDMI mini connector

• AV out (PAL / NTSC switchable)
Storage SD, SDHC, SDXC
Power Rechargeable Li-ion Battery EN-EL12
Weight (inc batt) 189g (6.6 oz.) approx
Dimensions 103 x 58 x 32 mm

Nikon D300 Digital SLR Camera Review

The Nikon D300 is another great camera from Nikon and a part of the semi-professional DSLR group. This camera has a lot of features that are up to date compared to its predecessor the D200. The camera features upgraded image censor along with a new VGA 3-inch display and this camera has live view as option when taking pictures.


Nikon went with the DX image censor on this DSLR. The picture quality produced by this camera is a little better than the Canon 40D but it’s the same as the Sony A700. The D300 camera produces 12 mega pixels and 51 focal points from its auto focus sensor. When you use this camera you have two ways for taking pictures you can look through the viewfinder or you can use the 3-inch VGA display in live mode. The viewfinder shows 100% of the image so if that’s what you prefer you won’t be missing anything. If you choose to use the display it’s a good option too with it being VGA the picture it produces is clean and crisp.
 




Conclusion

The D300 has only minor flaws but it’s still a good camera for shooting either fast or normal action photos, this camera takes 6 frames per second. The major thing about this camera is the price compared to the competition its almost 50% more money. The trade off when you buy the cheaper cameras from the competition is you don’t get as many features as you would find in the D300.

The D300 is priced at $1,799.

Nikon D300 Features and Specifications

12.3 megapixel DX format CMOS sensor Self-cleaning sensor unit (low-pass filter vibration) ISO 200 – 3200 (6400 with boost) 14-bit A/D conversion Nikon EXPEED image processor (Capture NX processing and NR algorithms, lower power) Super fast operation (power-up 13 ms, shutter lag 45 ms, black-out 100 ms) Shutter life 150,000 exposures New Multi-CAM3500DX Auto Focus sensor (51-point, 15 cross-type, more vertical coverage) Auto-focus tracking by color (using information from 1005-pixel AE sensor) Auto-focus calibration (fine-tuning) now available (fixed body or up to 20 separate lens settings) Scene Recognition System (uses AE sensor, AF sensor) Picture Control image parameter presets (replace Color Modes I, II and III) Custom image parameters now support brightness as well as contrast Six frames per second continuous shooting (eight frames per second with battery pack) Compact Flash UDMA support 3.0″ 922,000 pixel LCD monitor .
   

Monday, April 4, 2011

Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording


Been waiting for a new Nikon DSLR to slide in under that magical $1,000 mark? Then we've got some good news for you, as Digital Home Thoughts has now let slip some official details and pictures of Nikon's new prosumer D5100 model. This one steps things up to a
D7000-matching 16.2 megapixels from the 12 megapixel D5000, and boasts a 3-inch articulated display (side-mounted this time), 1080p video recording at both 30 and 24 fps (with autofocus!), ISO settings from 100 to 6,400, and an 18-105mm lens included in the kit (no body-only option available just yet, it seems). What's more, Nikon's also releasing a new ME-1 microphone alongside the camera to let you take full advantage of those video recording capabilities -- check it out after the break. Look for this one to set you back $899.95 for the kit, with the mic running $159.95. Those are Canadian prices according to Digital Home Thoughts, though we'd expect US pricing to be the same.